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Iceland Writers Retreat Alumni Award 2023: Scholarship applications now accepted!

Iceland Writers Retreat Alumni Award 2023: Scholarship applications now accepted!

Registration is now open for the Iceland Writers Retreat. In addition to general registration, which is currently open to all, we have scholarships slots available for those with financial need. The Iceland Writers Retreat Alumni Award offers talented writers in need of financial support an opportunity to attend the Iceland Writers Retreat in Reykjavík, Iceland in April, 2023.

Please read these guidelines and click on the link at the end of this article to apply.

Who can apply

Anyone who is aged 18 or over on April 26, 2023 is eligible to apply for an Iceland Writers Retreat Alumni Award (anyone is welcome to independently register and attend the event without a scholarship). The winning candidate(s) must demonstrate that they do not have the financial means to attend the conference without this award.* Candidates do not need to be professional writers, but should be serious about the craft and interested in developing their skills and contacts. Their writing interests must fit well with the faculty for the 2023 retreat (i.e. literary fiction, non-fiction, memoir).

Family members of the judges and those who have already attended the IWR are not eligible to apply.

What does it cover?

Entrants can apply for either full or partial funding. Full funding covers one participant fee, four nights accommodation at the Retreat hotel (Foss Hotel Reykjavik), and round-trip flights to Iceland.

Partial funding covers the participant fee only, and neither accommodation nor round trip flights.

(Note that there is no scholarship available for the Iceland Readers Retreat.)

Please ensure that you apply for the most suitable category for you, as if you apply for full funding you are very unlikely to be considered for a partial award. (Note that we usually have many more applications for full funding than partial funding.)

The award does not include airport transfers, travel insurance, travel visas (if applicable)**, other incidentals or meals not listed in the itinerary, or the Relax & Write extension.

How are the recipients chosen?

The recipients will be chosen based primarily on two factors: a) The potential they demonstrates (or has demonstrated) as a writer and b) their need for financial support to be able to attend. We will also evaluate based on the other questions in the application, though, so make sure to tell us about yourself and why you think you’d be the perfect match for the Iceland Writers Retreat. (Please don’t just tell us how you have always wanted to visit Iceland.)

The applicant should also be available for media interviews before and during the Retreat, and be able to explain how they would help to share their experience with others after the fact. This may include being asked to prepare a short report on their experience to be published on the IWR website.

Applications will be reviewed by a group of IWR alumni. The final decision on the award recipient will be made by the IWR Founding Directors.

Deadline for applications: Monday, 31 October, 2022 (Midnight, PST). We will announce the recipients on 2 December, 2022. 

**Please note that we are not responsible for issuing travel visas and cannot guarantee that one will be issued for you. However, we would provide all the required supporting letters and our past recipients who have required visas have had no problem being issued with one. 

Photo by Roman Gerasymenko

General Tips for applying:

We receive hundreds of applications for the Iceland Writers Retreat Alumni Award. To increase your chances of being selected, please follow the application instructions very carefully.

  • Incomplete applications will not be considered.
  • It is not possible to make changes to your application once it has been submitted; you will receive email confirmation that your application has been received.
  • Level of funding: We receive far more applications for full funding than partial funding, but you need to show that you are unable to afford even the cost of flights to Iceland and accommodation while in the country. Note that you are very unlikely to be considered for partial funding if you have applied for full funding.
  • Your background: We welcome applications from people of all backgrounds and with all levels of writing experience. However, we are more likely to rank applications highly from people who have not had the opportunity to attend many other writing retreats or to develop their writing in other ways. The quality of your writing is what is most important, whether you are just starting out, have been working for a while, or are at a mid- or post-career break. We encourage people of all ages (over 18) to apply.
  • Why do you want to attend? We all love Iceland. And we all love writing. If you are applying simply to get an opportunity to visit Iceland you are unlikely to be granted an award. Tell us why this particular event and this particular faculty have captured your interest. Show us that you have done some research about the Iceland Writers Retreat. Note especially that our workshops in 2023 focus primarily on literary fiction, non-fiction, and memoir. Your writing samples should also reflect this and should therefore be prose samples.
  • Writing samples: Note that the maximum length for each writing sample is 1000 words. We will not consider applications that have longer writing samples.
  • Why you need financial assistance: This is one of the most difficult yet important factors to consider for this award. Please be as honest as you can with us in explaining why this event is beyond your means without support. Your answer to the question about applying for additional funding is also important. We know that some countries offer support to writers who attend conferences, and we’d like to see if you have taken any initiative in terms of thinking broadly for ways in which you can attend.
  • How will you share your experience with others? We want many people to know about the Iceland Writers Retreat. How will you help us get the word out if you are awarded a scholarship? We know that social media is very popular. Do you have other, more original ideas too?
  • References: References should be by people who are familiar with your writing and are not family members. We give higher marks for references that have been written specifically for this event. Applications without appropriate references will not be considered. Please note that due to the number of applications we receive, we cannot accept references that have been sent separately.
Photo by Roman Gerasymenko

About the Iceland Writers Retreat

Held for the first time in April 2014, the Iceland Writers Retreat is an event comprised of a series of small-group writing workshops and cultural tours designed to introduce participants to Iceland’s rich literary heritage. Faculty in 2023 include Tommy Orange, Helen Oyeyemi, Carol Leonnig, Kiley Reid, and more. The Iceland Writers Retreat was named one of the world’s best writers’ retreats by the Sydney Morning Herald, and one of the top 10 “Events to travel for in 2014” by Four Seasons Magazine.

About the IWR Alumni Award

This is the sixth time the IWR Alumni Award has been granted. It is so named because it has been funded by former IWR participants. We are extremely grateful for their generosity.

If you have any questions about your application, or the alumni awards in general, please contact jessica@icelandwritersretreat.com

Apply for the 2023 IWR Alumni Award

Spotlight September

Spotlight September

One of my favourite days at IWR is always the last one. In many ways, it’s a sad day, since I’m about to leave an experience that was full of learning, new friends, adventures, and more. But, it’s also an important day, because the participants get to attend a Q&A with all of the authors, and the conversations had up on that stage have never failed to transform the ways I view my own writing and reading habits. 

In 2019, author Priya Basil said of her own reading habits: “I made a decision last year to read only women and in-translation. I think reading in translation opens up literature in a wonderful way.” 

That quote really resonated with me, and made me ponder my own reading habits. I work as the Manager Editor of a literary magazine and a Publishing Assistant at a local press, so I am lucky enough to spend hours reading submitted manuscripts, pieces I’m editing, and books for review throughout each month. However, sometimes that leaves me drained when it comes to my own reading, outside of work. I went into 2020 wanting to be more intentional about my reading, including carving time into my evening before going to bed to dedicate to reading a physical book, rather than news stories on my phone or laptop. I also remembered back to Priya’s quote, and decided that for 2020 I would only read books from diverse and/or under-represented voices. This includes BIPOC authors, women, LGBTQIA2S+ folks, and work in-translation. 

When Covid-19 hit, a friend reached out to me to help re-start a book club she had been part of, and I agreed, as long as the other members were open to making our reading choices in-line with my 2020 reading goals. And, happily, they were. Thus far we’ve read Seven Fallen Feathers by Tanya Talaga, Pizza Girl by Jean Kyoung Frazier, and On Earth We’re Briefly Gorgeous by Ocean Vuong. Reading diversely has helped me become a better editor, in thinking about the ways that my work can help platform interesting, new voices. 

Reading diversely has also helped me become a better ally in my work to become anti-racist. We’re witnessing a historic moment in North America amidst the Black Lives Matter protests, and we are so blessed to have access to many wonderful books that can help us look at our own place amidst systemic structures. Some of the works I’ve turned to in doing this learning (and unlearning) are: How to Be Anti-Racist by Ibram X. Kendi, White Fragility by Robin Diangelo, So You Want to Talk About Race by Ijeoma Oluo, Me and White Supremacy by Layla F. Saad, and The New Jim Crow by Michelle Alexander.

In thinking about the importance of celebrating diverse voices, we at IWR want to introduce a new social initiative this month: Spotlight September. We’ll be drawing attention to the books we’re reading and excited about right now, including those by past faculty members. Follow along on our blog and social media pages as we call out the work we think you should be adding to your reading lists, and feel free to suggest even more to us in the comment section! 

Q&A with Alumni Award Recipient Michelle Walshe

Q&A with Alumni Award Recipient Michelle Walshe

This year is the fifth year the Iceland Writers Retreat has offered the Alumni Award. Over the coming weeks, we will be posting Q&A’s with this year’s recipients of the Alumni Award, today’s with Michelle Walshe.

Michelle Walshe was born in England but raised in Ireland where she resides after living abroad for many years. She worked as a teacher at third level before she began writing in 2017. Her work has been published in print in the national media in Ireland and the UK and in Teachers Who Write: An Anthology, online on Writing.ie, Skelligmichael.com and Silverbirchpress.wordpress.com. She has been shortlisted in short story competitions and won a prize for flash fiction. She has won residencies, a scholarship, and bursaries to the John Hewitt Summer School, The Stinging Fly and The Bronte Parsonage. She volunteers at Roddy Doyle’s Fighting Words, an organisation promoting creative writing for children, and at literary festivals. She is working on a memoir and a children’s book. All her published work can be found on her website www.thesparklyshell.com.

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Q&A with Alumni Award Recipient Jo McClelland Phillips

Q&A with Alumni Award Recipient Jo McClelland Phillips

This year is the fifth year the Iceland Writers Retreat has offered the Alumni Award. Over the coming weeks, we will be posting Q&A’s with this year’s recipients of the Alumni Award, today’s with Jo McClelland Phillips.

Jo McClelland Phillips was born on the shores of Lake Ontario, then migrated to the mountains of New South Wales. Her work has been published in TIME Magazine, USA Today, Fairfax Media, and Mashable along with several national and independent newspapers and magazines. She is the winner of the Iceland Writers Retreat Alumni Award and she has been shortlisted for the Publisher Introduction Program Fellowship with Varuna, the National Writers House in NSW. Her short story, The Glass Slipper, won the Fringe Festival Award at The Eden Mills Writers’ Festival, and received honourable mention in The Glass Woman Prize.

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Q&A with Alumni Award Recipient Chelsie Bryant

Q&A with Alumni Award Recipient Chelsie Bryant

This year is the fifth year the Iceland Writers Retreat has offered the Alumni Award. Over the coming weeks, we will be posting Q&A’s with this year’s recipients of the Alumni Award, today’s with Chelsie Bryant.

Chelsie Bryant is an Ohio native currently living in Portland, Maine. In her spare time, she enjoys photographing her cat, har, who spells his name in lowercase because he makes the rules; he doesn’t follow them. Her work has been featured in Willow SpringsMichigan Quarterly ReviewYemasseePassages NorthWord Riot, and other places. She won the Willow Spring Fiction Prize in 2016 and holds a Master of Fine Arts from the Ohio State University.

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Third Place in the IWR Writing Competition

Third Place in the IWR Writing Competition

We have partnered with the Radisson Blu Saga Hotel to offer one person a free spot at the Iceland Writers Retreat in April-May 2020.  The winner receives admission to all events for the Iceland Writers Retreat, as well as four nights accommodation at the Radisson Blu Saga Hotel and we received over 400 submissions from the around the world.

This year the challenge was to submit a 350-word story, essay or poem inspired by this photo, which we’ve captioned: “Iceland: ethereal, exhilarating, sublime.” Entries were judged anonymously by two previous IWR volunteers & writers, and a representative of the Radisson Blu Saga Hotel, our contest sponsors. Continue reading

Second Place in the IWR Writing Competition

Second Place in the IWR Writing Competition

We have partnered with the Radisson Blu Saga Hotel to offer one person a free spot at the Iceland Writers Retreat in April-May 2020.  The winner receives admission to all events for the Iceland Writers Retreat, as well as four nights accommodation at the Radisson Blu Saga Hotel and we received over 400 submissions from the around the world.

This year the challenge was to submit a 350-word story, essay or poem inspired by this photo, which we’ve captioned: “Iceland: ethereal, exhilarating, sublime.” Entries were judged anonymously by two previous IWR volunteers & writers, and a representative of the Radisson Blu Saga Hotel, our contest sponsors. Continue reading

Q&A with Alumni Award Recipient Abak Hussain

Q&A with Alumni Award Recipient Abak Hussain

This year is the fifth year the Iceland Writers Retreat has offered the Alumni Award. Over the coming weeks, we will be posting Q&A’s with this year’s recipients of the Alumni Award, today’s with Abak Hussain.

Abak Hussain was born in Dhaka, Bangladesh, where he still lives. A journalist by trade, he is currently the Editor of  Editorial and Op-Ed at Dhaka Tribune, a leading English language daily, where he worked since the newspaper’s inception back in 2012. He writes a weekly column — “Hard Target” — mostly on political issues. His other interest is creative writing — he has published short stories from time to time, and hopes to one day finish his novel.

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Once Upon an Iceland

Once Upon an Iceland

Once upon a time the Hallgrímskirkja clock struck 03:00 and, on her way to the bus that would take her to the airport, a South African girl lost her hiking boot in the streets of Reykjavik. She did not mean to, and it happened swiftly, the shoe slipping off much easier than it had been to put on. As if it had a will of its own, forcing her to leave a piece of her behind so that she might have to return one day.

In the airplane, on the final stretch of the trip towards Iceland from Munich to Keflavik, I watch an Icelandic crime series and listen to the language. The words I hear and see at once seem so familiar to the tongue, yet so foreign:

“neyðarútgangur” (Icelandic), “nooduitgang” (Afrikaans) – emergency exit

“kirkja” (Icelandic), “kerk” (Afrikaans) – church

“Mánudagur” (Icelandic), “Maandag” (Afrikaans) – Monday

Upon arrival at Keflavik International Airport I meet with one of the other retreat attendees and we are met by a glacial wind unlike any I had ever experienced before. We stare through the window of the bus at a foreign landscape.

Snow.
I had never seen snow before.
Iceland is unyielding, stark, cold, sublime.

Skálholt.
The sublime: an aesthetic value judgment – that which is linked with both pleasure and pain. With danger, extremity. The experience gives a type of pleasure that is riddled with anxiety, with an awareness of something that transcends the ordinary sense of beauty. The sublime is the experience of the limits of understanding and reason.

Geysirs.
The sublime threatens one’s existence and is a delightful horror.

Gullfoss Waterfall.
Iceland is a mythical mistress, forcing one to face beauty, tragedy, and catharsis.

Þingvellir.
Oddities reveal the truth. Staircases and landings. The senses are the strings of an instrument. Rubbish. Dogs and cats and old people and children.

Gljúfrasstein.
Just past midnight I stand on the bow of a boat and I try to focus my camera in the dark, the North Atlantic wind blowing against my jacket. The cold had taken hold of my hands. It is nearly impossible.

I await her. The Aurora Borealis.
She is mischievous and I sometimes wonder if I ever truly saw her shimmering green satin dress for a brief few minutes that final night in Reykjavik.

Carien Smith
Carien Smith will be a JIAS Writing Fellow in 2020 after which she will pursue her PhD studies in Climate Change Ethics and Epistemology (Philosophy). For more information, visit her website: https://www.cariensmith.com and https://www.facebook.com/Carien-Smith-166234987540871/ .

Fundraising for IWR’s 2020 Alumni Award

We are currently fundraising to offer an Alumni Award again in 2020. These awards are need- and merit-based scholarships that allow talented, international writers to join us in Reykjavik next spring to explore Iceland’s unique literature and culture, as well as to learn from our internationally-renowned faculty. If you’d like to donate, you can do so via our Karolina Fund here.

If we raise enough funds, applications will open in September 2019 and continue through October. Winners will be announced in early December.

Iceland Writers Retreat Alumni Awards from Iceland Writers Retreat on Vimeo.