Creating captivating antiheroes
The hero in strict sense seems to belong to an epic, remote past, which is why this workshop will focus on the more complex, survival oriented and less sympathetic antihero. How can a writer work with different parts of him or herself in order to isolate and cultivate captivating antiheroes? And which are the literary means at disposal, such as narrative perspective and attitude between the lines?
Advance reading: Extracts which I will send later on.